To cast a clay model in a metallic mixture, a negative mold is made from the model and brushed with wax, and the resulting wax model is filled with a heat-resistant mixture. The lost-wax method is a type of metal casting in which metal is poured into a mold that was created with a wax model. Do not apply automotive wax to sculptures as they may contain cleaning agents harmful to bronze.Do not wax sculptures unless they are completely dry.Keep sculptures clean by dusting regularly.Keep sculptures in ventilated areas away from excessive heat and humidity.These tips will help you care for your sculptures: Since atmospheric conditions continue to react with the metal after leaving the artist or foundry, certain steps should be taken to protect and to preserve the original patina on the sculpture. The artist or foundry will often deter change in the patina by coating the work with wax or a lacquer. The patina is the green or brown film on sculptures that is produced by oxidation over a long period of time. In 1898, the artist started to work exclusively with Roman Bronze Works, New York City, which made his sculptures using the lost-wax casting method until his death in 1909. They were The Broncho Buster, The Wounded Bunkie, The Wicked Pony, and The Scalp. His first four sculptures were created using the sand-casting method at the Henry-Bonnard Company in New York City. How were Frederic Remington pieces made?įrederic Remington worked in clay and the art foundries and then cast the clay models in bronze. What are the art sculptures produced by Frederic Remington?įrederic Remington produced twenty-two different art sculptures (listed in the order of copyright): The Broncho Buster (1895), The Wounded Bunkie (1896), The Wicked Pony (1898), The Scalp (1898), The Norther (1900), The Cheyenne (1901), The Buffalo Signal (1901), Coming Through the Rye (1902), The Mountain Man (1903), Polo (1904), The Sergeant (1904), The Rattlesnake (1905), Dragoons 1850 (1905), The Outlaw (1906), Paleolithic Man (1906), The Horse Thief (1907), The Buffalo Horse (1907), The Cowboy (1908), The Savage (1908), Trooper of the Plains 1868 (1909), The Broncho Buster (large version) (1909), and The Stampede (1909). An original Frederic Remington art piece is suitable for art collectors’ American West art collections. Today, he may be best known for his sculptures, which he began in 1895 with The Broncho Buster.Frederic Remington Original Art Sculpturesįrederic Remington (1861-1909) was an American painter, illustrator, sculptor, and writer who is best known for artwork depicting the life of cowboys, soldiers, and Native Americans in the old American West. Most of them were illustrations, but many were made as art as he turned away from the publishing world and accomplished masterful art. He produced over 3,000 signed paintings and drawings. He worked for the great magazines of the 1880s and 1890s, creating images of soldiers, cowboys and Indians that shaped the world’s perception of the American west. He carried notebooks and sketched everything from distant horizons to the details of creases on leather boots. He bought hundreds of widely available western landscapes and portraits of Native Americans. He took a camera and made his own photographs, not as art, but as notes. On these trips, Remington collected innumerable materials to use as props to create convincingly detailed illustrations, paintings and bronzes in his studio in New Rochelle, New York. Among other things, he admired them for seeming undaunted by the many elements of frontier life that Remington himself could barely tolerate – poor and scarce “grub,” long rides in the saddle, and extended periods between baths. He enjoyed meeting them, hearing their stories and following their lives in his visits as a journalist/illustrator. He loved the idea of the frontier and greatly admired the rough and heroic cowboys and soldiers he met there. In truth, he was an easterner who was as fascinated by the subjects he depicted as his audience was.įrederic Remington traveled west repeatedly. Many people assumed, and still assume, that he was a westerner, if not, in fact, a soldier or a cowboy himself. He was praised and trusted for the accuracy of detail in his work. Remington’s pictures brought visual information to the eastern public accompanying both factual accounts and fiction of the Old West. His career took off in the mid-1880s when he began making western illustrations for Harper’s Weekly and many other widely read New York magazines. A native of Canton, New York, Remington found inspiration in these subjects from an early age. Frederic Remington is best known for his art depicting the cowboys, soldiers and Native Americans of the Old West.

Frederic remington